Interpreting Zohran Mamdani's Style Statement: The Garment He Wears Reveals About Modern Manhood and a Shifting Culture.
Growing up in London during the noughties, I was constantly surrounded by suits. You saw them on businessmen rushing through the Square Mile. They were worn by dads in the city's great park, kicking footballs in the evening light. Even school, a cheap grey suit was our mandatory uniform. Historically, the suit has functioned as a uniform of gravitas, projecting authority and professionalism—qualities I was expected to embrace to become a "adult". Yet, until recently, my generation seemed to wear them infrequently, and they had largely disappeared from my mind.
Subsequently came the incoming New York City mayor, Zohran Mamdani. Taking his oath of office at a closed ceremony wearing a sober black overcoat, crisp white shirt, and a notable silk tie. Riding high by an innovative campaign, he captivated the world's imagination unlike any recent mayoral candidate. Yet whether he was celebrating in a music venue or attending a film premiere, one thing was largely unchanged: he was frequently in a suit. Loosely tailored, modern with soft shoulders, yet traditional, his is a typically professional millennial suit—well, as common as it can be for a cohort that seldom bothers to wear one.
"This garment is in this weird position," notes style commentator Derek Guy. "Its decline has been a gradual fade since the end of the Second World War," with the significant drop coming in the 1990s alongside "the advent of business casual."
"Today it is only worn in the most formal locations: weddings, funerals, and sometimes, court appearances," Guy explains. "It is like the traditional Japanese robe in Japan," in that it "fundamentally represents a tradition that has long ceded from daily life." Many politicians "wear a suit to say: 'I represent a politician, you can have faith in me. You should support me. I have legitimacy.'" Although the suit has traditionally signaled this, today it enacts authority in the attempt of gaining public confidence. As Guy clarifies: "Since we're also living in a liberal democracy, politicians want to seem approachable, because they're trying to get your votes." To a large extent, a suit is just a nuanced form of performance, in that it performs manliness, authority and even closeness to power.
This analysis stayed with me. On the rare occasions I require a suit—for a ceremony or black-tie event—I retrieve the one I bought from a Tokyo retailer several years ago. When I first selected it, it made me feel refined and high-end, but its slim cut now feels passé. I suspect this sensation will be only too familiar for numerous people in the diaspora whose families come from somewhere else, particularly developing countries.
It's no surprise, the working man's suit has lost fashion. Like a pair of jeans, a suit's silhouette goes through cycles; a particular cut can therefore characterize an era—and feel rapidly outdated. Consider the present: looser-fitting suits, echoing Richard Gere's Armani in *American Gigolo*, might be trendy, but given the price, it can feel like a considerable investment for something destined to fall out of fashion within a few seasons. Yet the attraction, at least in some quarters, endures: in the past year, major retailers report suit sales rising more than 20% as customers "move away from the suit being daily attire towards an desire to invest in something exceptional."
The Politics of a Accessible Suit
The mayor's go-to suit is from a contemporary brand, a European label that retails in a mid-market price bracket. "He is precisely a product of his background," says Guy. "In his thirties, he's neither poor nor extremely wealthy." Therefore, his mid-level suit will appeal to the demographic most likely to support him: people in their 30s and 40s, university-educated earning professional incomes, often frustrated by the expense of housing. It's precisely the kind of suit they might wear themselves. Not cheap but not extravagant, Mamdani's suits arguably align with his stated policies—such as a capping rents, constructing affordable homes, and fare-free public buses.
"You could never imagine a former president wearing Suitsupply; he's a luxury Italian suit person," says Guy. "He's extremely wealthy and was raised in that New York real-estate world. A power suit fits seamlessly with that elite, just as attainable brands fit naturally with Mamdani's constituency."
The history of suits in politics is long and storied: from a former president's "controversial" tan suit to other world leaders and their suspiciously polished, custom-fit sheen. Like a certain UK leader discovered, the suit doesn't just dress the politician; it has the power to define them.
Performance of Normality and A Shield
Perhaps the point is what one scholar refers to the "enactment of ordinariness", invoking the suit's historical role as a standard attire of political power. Mamdani's particular choice taps into a studied modesty, neither shabby nor showy—"conforming to norms" in an inconspicuous suit—to help him connect with as many voters as possible. However, some think Mamdani would be cognizant of the suit's historical and imperial legacy: "The suit isn't neutral; historians have long pointed out that its modern roots lie in military or colonial administration." It is also seen as a form of defensive shield: "I think if you're from a minority background, you aren't going to get taken as seriously in these traditional institutions." The suit becomes a way of asserting credibility, particularly to those who might question it.
Such sartorial "code-switching" is not a recent phenomenon. Indeed iconic figures once donned three-piece suits during their formative years. Currently, other world leaders have started exchanging their typical fatigues for a black suit, albeit one without the tie.
"Throughout the fabric of Mamdani's image, the tension between insider and outsider is visible."
The suit Mamdani chooses is deeply symbolic. "Being the son of immigrants of Indian descent and a democratic socialist, he is under scrutiny to conform to what many American voters look for as a marker of leadership," notes one author, while simultaneously needing to walk a tightrope by "not looking like an elitist selling out his distinctive roots and values."
But there is an sharp awareness of the double standards applied to who wears suits and what is interpreted from it. "That may come in part from Mamdani being a millennial, able to adopt different identities to fit the occasion, but it may also be part of his multicultural background, where adapting between languages, traditions and attire is typical," it is said. "Some individuals can go unnoticed," but when women and ethnic minorities "seek to gain the power that suits represent," they must carefully negotiate the codes associated with them.
In every seam of Mamdani's official image, the tension between belonging and displacement, insider and outsider, is visible. I know well the discomfort of trying to conform to something not built for me, be it an cultural expectation, the culture I was born into, or even a suit. What Mamdani's sartorial choices make clear, however, is that in politics, image is not neutral.